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[Elide Bergamaschi, Il viaggio di Christian [Christian’s Journey], 31 March 2010]

Narrative and choral, epic in its broad gesture of dividing the scene between one and all, between I and not I, the double articulation of Tracce [Traces] – Destinazione del sangue [Destination of Blood] first and Icone [Icon] second, concluding the listening experience – follows the imaginary path of an archaic practice of absolute sacred aftertaste, between agony and fragments of blinding light.